“Dave and I sort of talk on the phone a little,” Springsteen says. Springsteen, a sometime late-night confidant of Pirner’s, knows the dilemma well. “I wouldn’t kill myself, because that’s been done already,” Pirner says. He’s thinking about how Kurt Cobain dealt with it, how Bruce Springsteen deals with it, how Dave Pirner is going to deal with it. You know? It might.”ĭrummer Sterling Campbell on His Years With David Bowie, Duran Duran, and Soul AsylumĪt the root of Pirner’s confusion is success. But at one point or another, they’re going to have to understand that if they miss the show this year, it might be the last show. I will take the band out there on the road and give it to the people with a certain sense of pride. Don’t you think I could do that? Here I am for the first time in my life with the fucking greatest band in the world, and I am going to disappear. I would like to have the coup of just having been in a great rock band that nobody cares about anymore. “And maybe this has never been done before, but I’d like to beat the system. And I’m trying to talk myself into that.” I’m going to, what’s the word, introvert and go away. Faster and faster, the more pressure people put on me. He wipes a greasy blond dreadlock out of his face and continues: “I’m just going to disappear – really. “I’ve been fucked with just enough where I’m going to start to draw the line,” Pirner says in his distinct voice, half space cadet, half dorm-room philosopher. At the airport, security reprimanded him after a passenger on his flight from New York complained about Pirner’s foul language. It wouldn’t be the first time his chops were busted today, either. He’s only been in Texas for a half-hour, and the battle has already begun. It’s just after midnight, and the straggly looking 31-year-old with a baby face is standing in a hotel lounge in Austin, Texas, announcing his arrival. “Please bust my chops, because I’m in the mood to have my chops busted,” Dave Pirner says. With Let Your Dim Light Shine, Soul Asylum’s first album since the success of “Runaway Train,” they must prove that they are bigger, better and, ultimately, more important than “Runaway Train.” In other words, they must prove that the right kind of band can overcome the wrong kind of fame. After all, it’s not easy for a band brought up on a steady diet of punk to accept success without some embarrassment. They’re a little self-conscious, a little insecure, a little nervous. Today, Soul Asylum aren’t the same band they once were. Unlike Soul Asylum’s bad luck, their good fortune can be explained in two words: “Runaway Train,” their runaway hit. But the Minneapolis quartet persevered, and in 1993 its luck changed, almost too dramatically.
Rock & roll has not always treated the band well in fact, it almost split the group up several times. In 14 years of music making, Soul Asylum have slowly contorted their lives to adapt to rock & roll’s unusual hours of touring and performing.
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Since the band’s formation in 1990, they have released 8 studio albums, countless EPs and live records, a well-received series of “Mix Tapes” featuring a surprising mix of cover songs, and a steady stream of memorable singles that include “Eddie Vedder,” “Hands On The Bible,” “California Songs,” and the rock radio staple, “Bound For The Floor.” In addition to all of that, guitarist/vocalist Scott Lucas and drummer Ryan Harding have maintained a near constant international touring schedule - forging a blistering live show that has amassed a loyal and enthusiastic fan base.To spend time with Soul Asylum is to learn how to sleep from 9 to 5, when the rest of the world is out punching buttons and lifting crates. Unlike so many of their peers from the ’90s, Local H have refused to slow down.
Physical Orders of the album are available here. LIFERS was released April 10th, 2020 on AntiFragile Music. LIFERS features contributions by an array of respected friends and guests - including Juliana Hatfield, John McCauley of Deer Tick, and legendary rock engineer Steve Albini - LIFERS is the first album from Local H in five years, and the release coincides with the group’s 30 year anniversary (and our collective doom). 8/5 – The Vault Music Hall – New Bedford, MAĨ/7 – Orange Motorsports & Entertainment – Middletown, NYĨ/11 – Oceanfront Concert Series – Virginia Beach, VAĨ/12 – House Of Blues – North Myrtle Beach, SCĨ/14 – Saint Louis Music Park – Maryland Heights, MOĩ/03 – VBC Mars Music Hall – Huntsville, ALĩ/04 – Hop Springs Beer Park – Murfreesboro, TNĩ/05 – Pierre’s Entertainment Center – Fort Wayne, INĩ/17 – Menominee Nation Arena – Osh Kosh, WIĩ/26 – Empire Control Room & Garage – Austin, TXġ0/16 – New Brookland Tavern – West Columbia, SCġ0/19 – Jack Rabbits Live – Jacksonville, FLġ0/30 – Kungfu Necktie – Philadelphia, PA
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